
CZERNOWIN, CHAYA
„In ZaÏde/Adama the drama is built in, because the Mozart is dramatic. The drama in ZaÏde/Adama then becomes the counterpoint between ZaÏde and Adama, which is a real developing dialogue between the two pieces. For that reason, I have never allowed Adama to be performed alone.“
aus: Dusman, Linda: Chaya Czernowin: Conversations and Interludes. In: Contemporary Musik Review 34/5 (2015), S. 464-477.
| GEBURTSDATUM: | 7.12.1957 in Haifa, Israel |
| FUNKTION(EN) BEI DEN SALZBURGER FESTSPIELEN: | Komponistin |
| JAHR(E) DER TÄTIGKEIT BEI DEN SALZBURGER FESTSPIELEN | 2005, 2006, 2013 |
| GND | 1372183493 |



